What’s your Movement Vocabulary?
Congratulations! You’ve made it back to Tuesday. We’ve got good news!
Repeat after me… Secure.The. Bag.
As a light in this world, I believe it is my role to illuminate a spotlight unto others for the great work they are doing in their life. Continue reading “Spotlight: Jasmine Douglas”
As a light in this world, I believe it is my role to illuminate a spotlight unto others for the great work they are doing in their life.
The music business is a fickle industry. The way to attack marketing and creation of music is a very fluid in approach and can easily fail horribly. After my last review of H.I.M. and H.E.R., I enjoyed both projects but was unsure of the places H.E.R. and H.I.M. would fill. Less than six months later, I feel confident that both H.E.R. and H.I.M. have potential to be here to stay.
I originally was debating on doing a full album review today or not but I finally got a chance to see Kendrick’s ELEMENT video, the third video from his album DAMN. I watched it and felt it connects with the topics I’ve been touching on this week. Kung Fu Kenny’s back again.
To Close Out Women’s Week here at Everything’s Magnificent, I want to finish with what is arguably this best R&B album of this year, SZA’s CTRL. This was probably one of my most anticipated albums of 2017 and it definitely paid off.
In honor of SZA’s Debut Full Length Album, CTRL, being released today worldwide, I wanted to bring back one of my favorite songs by SZA, Julia.
I wanted to debut a new series for the blog today with Vintage Vibes. Every once in a while, I’ll showcase a favorite song from years ago that still remains dear to my heart. For this week, we have Amel Larrieux For Real.
Being from Hitsville. USA (Detroit, Michigan) aka the birthplace of the Motown Sound. I am a student of music. My Uncle studied Musicology at UCLA and all of my grandparents play at least one instrument. I play three instruments, compose, sing, and rap. I watched radios die, blogs boom, and most recently, streaming explode. How […]
Last week in Streaming’s Effect on Music Pt. 1, I spoke on how the digitization and streaming of music reignited the single, destroyed the mixtape, killed the sample and changed how sales are recorded. This week I’ll go into more about how the structure of music (Hip-Hop) itself has changed.